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Grief

Pages, Some Kinda Superwoman

A little book for The Big Guy

March 23, 2025


It’s a strange thing going through a person’s belongings after they’re gone. It feels like a violation, but also, you can’t ask them any questions.

A few weeks after we lost Dad, my mom handed me two sheets of white paper covered with a sharp script I recognized immediately.

“Where’d these come from?” I asked.

“Dad’s desk, at work.”

They were poems. Elegant, agonizing words about a woman, and the wind, and the sting of the cold. It felt like holding an expired lottery ticket. The world will never know.

I used to beg my father to write something … anything! He was a charismatic storyteller and a gifted wordsmith. His last Christmas with us, I gave him three books: Stephen King’s “On Writing,” Steven Pressfield’s “The War of Art” and “My Grandfather’s Blessings” by Dr. Rachel Naomi Remen. I was sure these artists would inspire him.

But he was just too tired. He’d waited too long.

I came across the small stack of titles on his dresser shortly after he passed and brought them home. I set them on my desk, opened a blank document and started a story.

And I wrote a book!

“He Answers to Grief is a sweet little fictional tale about a young woman, Daphne, reeling in the aftershocks of her father’s death. She is angry, and heartbroken, and questioning everything. It’s about the process of losing, the ugliness of such unimaginable pain, but also the awakening it can bring. The story is based loosely on my lived experience (and my dog) but not autobiographical.

It’s what poured out of me during the raw, initial days without Dad, and so, for him, I wanted to honor the work by taking it all the way to the finish line. By publishing for the first time. Because he can’t, and he never did, and writing was something we treasured together.

About the book

I’ve learned a lot in the process.

No. 1

At roughly 42k words, “He Answers to Grief is a novella, not a full novel, which have a minimum threshold of 50k words. Publishers don’t much care for novellas from unknown authors, so I am bringing this abbreviated piece to you as a minnow in the vast sea of self-publishing. (Good luck, little fella!)

It’s fitting, in a way–the cold reception. It reminded me of society’s impatience with mourning. No one tells you to stop grieving, but they don’t cater to it, either. While I was drowning in the hurry up and get back to it, the minutes I carved out for this slight story that isn’t quite a novel allowed me to start sorting through some of my sadness.

No. 2

People are incredible. The family, friends and acquaintances who served as beta readers, cover designers and cheerleaders made me bigger than my fear. And believe me, there’s a lot of fear!

(Katie, I’ll never forget you saying, “No notes,” through tears on the drive back from Maryland. You didn’t know it, but you gave me courage that day.)

No. 3

Writing is therapy. When I was hung up on word choices and overanalyzing sentence structure (I could have tweaked it forever), I let my feelings lead.

This is not the next Great American Novel. Reese and Oprah won’t be calling. But it is a tribute, in many ways, to my own grief and my journey, filled with thoughts and heartache I will never forget. And I don’t want to. Because this pain serves as my receipt for the love I shared with my father. My hope is that the pages find who they need to find and bring some peace to those who feel alone.

About the cover

“He Answers to Grief was the first piece I’d ever shared with JoJo, my oldest, and she was the first to read the rough draft. She sketched the initial version of the cover, choosing this rich green as a background. My dear friend, Nissa, polished it up (and tolerated all of my infuriating texts about file sizes), and, in a humbling act of generosity, in the eleventh hour, my long-time pal Ryan called in a favor for the custom typography. Parker McCullough, whom I’ve never met, made the font, and it’s perfect. It came together so beautifully, and I love it almost as much as the humans behind it.

About the storyline

The chapters are short, and the thoughts can seem chaotic at times. This was intentional, designed to mimic the frenzied, disorganized anxieties that follow a significant loss. When it doesn’t feel like things make sense anymore.

Similarly, as the book goes on, the life events are more and more spread out. In the hours, days and first few months after someone close to you dies, everyone’s concerned. They worry. They check in. But then their lives go on as they should. Their considerations and interest in that particularly tragic detail of your life dwindles, and so do the occasions when the reader hears from Daphne.

You can find the ebook and printed versions here. This link will automatically update as new offerings become available. Please don’t feel like you have to purchase it, but know it’s floating around out there if you want it.

Seeing my name on a book cover has been a lifelong dream of mine, but I will tell you this is not the one I anticipated writing. In fact, I have a whole other draft of a hiking story that is nothing like this novel(la). And maybe that will find its way somewhere one day, too. But this consumed me, just as my dad’s death did.

I get a massage every month from the most incredible woman, Annie. The first time I went to her after losing Dad, I started weeping the second she put her hands on me. I cried for 60 minutes. Writing this book felt like that.

When I started this blog a decade ago, I chose the word desperately based on my aspirations of being more–more organized, more inspired, more connected, more present. Now I know the true definition of desperate is longing for someone you can’t reach.

I wish my dad could be here to see this.

I’m typing this before dawn, just a day after one of my oldest girlfriends walked her father to the end of his time on earth. I hurt for her, knowing where she is and what’s to come. And I hurt for everyone left with a hole where someone used to be. I don’t think we ever heal, but we can have a good cry together.

See all the ways you can get a copy of “He Answers to Grief.”

Thank you.

Thoughts

Lying down with grief

June 24, 2017

Grief is your receipt that proves you loved. That you paid the price. – Glennon Doyle, Love Warrior 

This is a difficult post for me to write and likely for you to read, but writing is my therapy and this blog is my couch. You can either come in and grab a tissue or catch me at the next session. No hard feelings.

Wednesday morning, at 11:05, my Grandma Marge marched boldly into heaven.

She lived her life honestly and simply. Her possessions were few but all treasured. She walked this earth with red, fiery curls, long, killer legs and few apologies for her opinions. She was the definition of a matriarch, always guiding her tribe toward truth and the simplest, smartest answer. She spoke from her heart and accepted all who came through her door. She only asked that you “serve yourself”. My life was forever changed by her light and her love.

I never met my mom’s mom. I lost my dad’s mom when I was fairly young, so when Hank and I started dating and he told me he still had all of his grandparents, I was over the moon. And then I met her, Grandma Marge, and I went over the sun, too. She was so welcoming, so accepting so familiar. It healed a part of me I didn’t realize was so tender. She slipped right into that painful void and stoked a very specific joy for me.

I remember when Hank and I were engaged and everyone on the planet had an opinion about where and how we should get married. I felt overwhelmed and, admittedly, like I was being swallowed up by the ceremony of it all. Sensing my stress, Grandma held me back one day at a family gathering, looked me in my eyes and said, “You hold onto your convictions, doll.”

That was just something she would say. She had perfected the delivery of very sharp directives that somehow didn’t feel offensive, I think because she diluted the bite of the words in concern for your best interests. It felt like gospel … a wise woman’s suggestions, rather than a command to change direction. She was a sincere sounding board, an unfeigned confidant, and sometimes, a lighthouse. She lived on a lake with Hank’s Grandpa Butch, and before we had three kids, before everything changed for her and for us, we used to stay up late and have these long, revealing talks on the deck by the water. She always had a question or a story or a scrap of advice to punctuate the end of my sentences.

Five years ago, when we found out she was sick, it felt impossible. It felt like tomorrow’s worry. She would be the first person to beat it. She even said she would be. And she knew everything! There was no way this badass great grandmother could be stopped by some freak illness. She was bigger than that, stronger than that, invincible.

But last Friday I got the call I’d been dreading for more than a year. Grandma had taken a turn for the worse. We needed to come up that night. I was a sobbing, snotty, hysterical mess. Hank was calm, understanding. He didn’t push. He let me come to the decision on my own. And together, we drove 40 minutes to say goodbye to the woman we loved so much.

She was laying in her bed when we walked in. I hesitated for a minute and then felt a powerful pull toward her. I leaned down, put my head on her shoulder and sobbed in her ear.

“Don’t do that, honey. You’re so pretty when you smile,” she said.
“I just love you,” I cried.
“I know, honey, I love you, too. Now, you take care of those little girls, and my grandson and my daughter.”
“I will, I promise.”
“You two are going to make it,” she said, “but it won’t always be easy.”
I stood up to wipe my face and look at her in the eyes. We held hands so tight. Tighter than I’ve ever held hands with anyone with a grip that got away from me. It was this beautiful, tense, brutal energy, shared for what felt like a blink and an eternity at once.

“Thank you for being my grandma,” I strained.
“It was my pleasure. We wouldn’t have kept you around if we didn’t like ya.”
I hugged her again. The tightest embrace I could give her without breaking her fragile frame.

There’s a reason I’m sharing this …

This was one of the hardest things I’ve ever done. If you’ve read any of Glennon Doyle’s work or seen her speak live, you’ve heard her talk about leaning into pain. How the easy buttons are what we should be afraid of, not our feelings. But I love easy buttons when it comes to death. I’ve never been in a position where I was able to say goodbye, nor have I ever been a person who believed she could handle such a thing. I’ve never really looked that kind of loss in the eyes and worked through it in any kind of confrontational way. But, you guys, I’m so glad I did. It was a gift sweeter than I ever could have imagined.

I will never forget those honest, precious minutes with Grandma Marge. I will never forget that hug, her hand in my hand. I would have regretted it for the rest of my life if I hadn’t gone. It gave me comfort, cruel as the conditions were. But it hurt, too. It hurt in the way profound loss does; pounding head, lurching stomach, heavy, quick heartbeats. All of these things are the going price of one last hug, one last talk, one last memory of her eyes and her voice and her stories. I have always resisted that kind of hurt, but this time, I laid down with it, and that gives me some peace.

She held on through Father’s Day. She made it to and through her anniversary. She would do that. She would fight with everything she had to spare the people she loved. She would have fought like that forever if she could. But instead, the great beyond was blessed with one of the most amazing souls I’ve ever had the pleasure of knowing.

And now we’re trying to come alongside our babies and help them lean into their pain. They don’t want to go to the calling hours or the funeral. It frightens them, and I think that’s OK. Tonight we are having a Great Grandma Marge Party. We’re going to bake sweets, because Great Grandma loved dessert. And we’re going to talk about all of our favorite things she said and did and all the kindness she had in her heart.

We’re choosing not to remember Grandma Marge with oxygen on her face and a bed in her living room and a breathless desperation in her tone. I, personally, will remember things like this, instead, and smile. I’m told I’m prettier when I smile …

♥ She had the walkin’ farts. They’d just pop out when she waltzed around the kitchen and startle her and everyone in the room.

♥ She always started sentences with, “I got so tickled …” or “I had to laugh …”.

♥ She would stay up until 2 o’clock in the morning playing euchre and sipping coffee with powdered creamer. Then she’d sleep in her recliner to make sure she didn’t miss anything.

♥ One night, Grandma Marge and I were sitting up chatting while the boys went fishing, and I asked her what was the happiest day of her life. And she told me that one time, her and Butch (Hank’s grandpa) were driving in the country and he pulled over and made her a bouquet of flowers from a field. That was her happiest day.

♥ Spike’s middle name is Margery, after Grandma Marge, a fact which Grandma made known by always using her full name when she introduced her to strangers.

♥ As she gave away her treasures, one by one, and handed out her final instructions to her grandchildren over the weeks as she deteriorated, she cautioned each of them. “Take care of this, or I’ll come back and haunt ya!” or “Keep your nose clean. I mean it. Or I’ll come back and haunt ya!” Just awesome. .

♥ She had the best laugh.

♥ Nobody could give Hank’s Grandpa Butch shit like Grandma Marge could. And that man deserves to get some shit. He’s a pistol.

♥ When she was little, she shot a hole through the tip of her boot trying to climb a fence while holding a shotgun. Luckily, they were her brother’s shoes so they were extra big. The bullet missed her toe.

♥ She was the calm conductor of a huge, loud, tenacious family, and the result of her efforts is a masterful display of unyielding love, indestructible support and everlasting faith. It’s the house she built. It’s her legacy. It’s beautiful.